In yet further proof that nobody hates Peter Parker more than Marvel Comics, the first issue of the core Amazing Spider-Man series’ newest volume begins not with the exploration of “bold new horizons” as previously promised, but rather a near identical retread of the opening scene of the hero’s Brand New Day era.
Featuring words by Spider-Man/Deadpool Vol. 1 writer Joe Kelly and art from Blood Hunt Vol. 1 line art/colorist duo Pepe Larraz and Marte Garcia, the debut issue of Amazing Spider-Man Vol. 7 finds the wall-crawler yet again unemployed, down on his luck, and struggling to make ends meet thanks to the ever-present demands of his superhero responsibilities.
To this end, realizing that he needs to change his circumstances, Peter hits the streets and manages to arrange a number of job interviews, all of which happen to be in-person.
Unfortunately for Peter, rather than any level of success, his conversations meetings all play out in generally the same way: After receiving praise for his qualifications, he is then pressed as to his spotty work history. Following a a brief ‘internal cutaway’ to his super-heroics, Peter ultimately fails to give a satisfactory explanation for his less-than-stellar resumé, which ultimately leads to him being rejected and ending the day still jobless.
And if that sounds familiar, dear reader, this is not just because this opening set-up is essentially the same ‘Peter struggles to juggle his personal and Spider-life’ one that Marvel Comics always defaults to whenever they relaunch, reboot, or reimagine him.
It’s also because this is almost a shot-for-shot retread of a scene that played out 17-years earlier in Amazing Spider-Man Vol. 1 #546 – otherwise known as the very first issue of the hero’s post ‘selling his marriage to Mephisto’ life.